{"title":"Flock of Dimes","description":null,"products":[{"product_id":"flock-of-dimes_like-so-much-desire","title":"Like So Much Desire","description":"\u003cp\u003eLike So Much Desire, the new EP from Jenn Wasner’s Flock of Dimes, is about the inseparable nature of desire and grief. It’s a collection of songs about finding peace amidst personal hardships, an offering of both comfort and personal reflection, reaching out across the unknown in search of connection. Moving and strikingly intimate, Like So Much Desire’s work is Wasner’s most personal work yet.\u003c\/p\u003e\u003cp\u003eThe EP’s title track is a masterclass in slow burn, a song that deals directly with how you have to lose to gain, an acoustic beginning growing into a tangle of whirring gadgetry. The subdued, mellow prettiness of “Again for the First Time” offers reassurance, the sonic equivalent of leaning on someone’s shoulder. The piano-based “Spring in Winter” sounds near-hymnal, warmed by strings, dealing with the fleeting beauty of North Carolina’s unexpected springtime popping up in the cold, while “Thank You Friends and Strangers” opens on chirping birds and outside sounds -- the sounds of nature and normalcy. Like So Much Desire blends all of these worlds seamlessly.\u003c\/p\u003e\u003cp\u003eIn many ways, Like So Much Desire feels like postcards sent from a strange new world. And fittingly, the work came together at a distance. The bulk of the songs were recorded by Wasner in her home in isolation, with other pieces coming from across the country; drummer JT Bates recorded his parts from Minneapolis, while the subtly-cinematic, swelling strings came via New York’s Paul Wiancko, Michi Wiancko, and Ayane Kozasa. The final product balances sparseness and fullness. Strange, glitchy synths flit in and out, an echo of distant playfulness, but the main instrument is the depth of Wasner’s voice and how she uses space around it.\u003c\/p\u003e\u003cp\u003eAs a multi-instrumentalist and vocalist, Wasner has been a longtime omnipresent force in modern music. As half of beloved duo Wye Oak she’s worked with everyone from Metropolis Ensemble to the Brooklyn Youth Chorus, and more recently she’s been a member of both Bon Iver and Sylvan Esso. But for all her collaborative expertise, it’s Wasner’s solo work as Flock of Dimes that is most salient, her songwriting at the forefront, strange, beautiful, and dazzling at the same time.\u003c\/p\u003e\u003cp\u003e\u003cspan id=\"docs-internal-guid-daf614da-7fff-6030-9001-898d1685b56d\"\u003eFor Wasner, the making of this EP had to do with rediscovering the powerful, healing connection of making music, the peace it offers, the way it makes it possible to bridge a gap -- and as such, Like So Much Desire strives to offer comfort during upheaval and uncertainty. Both sorrow and joy all at once, it looks at halves of a whole, the broken-up spectrum of human experience distilled into just five tracks.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Digital","offer_id":32452089282656,"sku":"713846","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/flockofdimes-likesomuchdesire-cover-4000.jpg?v=1593631150"},{"product_id":"flock-of-dimes_head-of-roses","title":"Head of Roses","description":"\u003cp\u003eOn her second full-length record, Head of Roses, Jenn Wasner follows a winding thread of intuition into the unknown and into healing, led by gut feelings and the near-spiritual experience of visceral songwriting.\u003c\/p\u003e\n\u003cp\u003eThe result is a combination of Wasner’s ability to embrace new levels of vulnerability, honesty and openness, with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. \u003c\/p\u003e\n\u003cp\u003eSimply put, Head of Roses is a record about heartbreak, but from a dualistic perspective. It’s about the experience of having one’s heart broken and breaking someone else’s heart at the same time. But beyond that, it’s about having to reconcile the experience of one’s own pain with the understanding that it’s impossible to go through life without being the source of great pain for someone else.\u003c\/p\u003e\n\u003cp\u003e“Part of the journey for me has been learning to take responsibility for the parts of things that are mine, even when I’m in a lot of pain through some behavior or action of someone else. If I’m expecting to be forgiven for the things I’ve done and the choices I’ve made and the mistakes that I’ve made, it would be incredibly cowardly and hypocritical to not also do the work that’s required to forgive others the pain they caused me.”\u003c\/p\u003e\n\u003cp\u003eShowcasing the depth of Wasner’s songwriting capabilities and the complexity of her vision, Head of Roses calls upon her singular ability to create a fully-formed sonic universe via genre-bending amalgamation of songs and her poetic and gut punch lyrics. It’s the soundtrack of Wasner letting go – of control, of heartbreak, and of hiding who she is: “I think I’ve finally reached a point in my career where I feel comfortable enough with myself and what I do, that I’m able to relax into a certain simplicity or straight forwardness that I wasn’t comfortable with before.” Head of Roses puts Wasner’s seismically powerful voice front and center. Those vocals help thread it all together -- it’s a textured musicality, quilted together by intentionality and intuition.\u003c\/p\u003e\n\u003cp\u003eWasner’s sophomore LP as Flock of Dimes was mostly written during the isolation of early Covid-19 quarantine and fresh heartbreak. Some songs, like the title track, came to Wasner wholly-formed, like fever dreams. Aside from album opener “2 Heads,” which Wasner had been saving for this purpose since she wrote it in 2015, Head of Roses was born from just a few months at her North Carolina home, during a feverish period of productivity spanning from last March through June.  \u003c\/p\u003e\n\u003cp\u003eOn her 2016 debut album If You See Me, Say Yes, Wasner controlled every element of the production, meticulously crafting her solo debut to be a definitive statement of ability and artistry. Despite having succeeded in assuring herself of her own capabilities as a musician and producer, she felt drained by the demands of working in creative isolation. Instead, for Head of Roses, she felt drawn to a looser, more collaborative process—and reached out to friend and co-producer Nick Sanborn (Sylvan Esso) to help her understand what this new process could look like. Recorded with a small group of collaborators in quarantine at Betty’s in North Carolina, Head of Roses captures Wasner’s vision and expands upon it, with input from Meg Duffy (Hand Habits), Matt McCaughan (Bon Iver\/Lambchop), and Adam Schatz (Landlady).\u003c\/p\u003e\n\u003cp\u003eSanborn and Wasner assembled Head of Roses in the same way you’d put together a mixtape, painstakingly and carefully melding disparate parts into a whole, transcending genre to weave a story of heartache and healing together. There’s the undulating “Two,” a tapestry of strange whirring machinery, buried saxophone swimming to the surface, “We’re all just wearing bodies like a costume ‘til we die.” Or “Hard Way,” hypnotic and trudging forward beneath the slight distortion of Wasner’s lilting melodies -- “Couldn’t call it off \/ couldn’t make it last \/ so I took the hard way” -- recorded in one fell swoop during an afternoon at Betty’s. Other tracks, like “Lightning,” are grounded in sparseness, the warmth of clean electric guitar -- “When you dressed me in \/ a different skin \/ I forgot who I am \/ I watched it happen \/ But I can’t understand.” “No Question” feels somehow celestial, born from the chasm between organic and electronic textures, and “Awake for the Sunrise” is a pure and straightforward country ballad, written at 6:30am after a sleepless night. Closer “Head of Roses,” a slow-burn, is the fitting thesis of the record, including its imagery: a garden absolutely overrun, blooming all over the place, the thorns of the thing fully inseparable from the flowers themselves.\u003c\/p\u003e\n\u003cp\u003eAnd in the same way a homemade, painstakingly-crafted mixtape plays out, with the maker’s fingerprints left all over its songs – so goes Head of Roses. Carefully curated and culled from the depths of Wasner’s heartbreak and healing, it’s deeply, intensely personal.\u003c\/p\u003e\n\u003cp\u003eBut just as we change ourselves by embracing the pain of loss and uncertainty, so too are the purpose of these songs changed through the act of creating them. Having succeeded in healing the person who made them, they now exist for those who find them in their own moments of need. Always in motion, the original spirit of creation has already flown from this place—but it’s left behind a blueprint, a tool for you, to lean on, too.\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Loser (color) LP","offer_id":32933882167392,"sku":"714050","price":23.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":32933882200160,"sku":"714051","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":32933882134624,"sku":"714052","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":32933882232928,"sku":"714054","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32933882101856,"sku":"714056","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/FlockOfDimes_HeadOfRoses_LP_Black_02.jpg?v=1741201605"},{"product_id":"flock-of-dimes_live-at-bettys","title":"Live at Betty's","description":"\u003cp\u003eLive at Betty’s is a two-song live EP featuring \u003ca href=\"https:\/\/megamart.subpop.com\/products\/flock-of-dimes_head-of-roses?_pos=1\u0026amp;_sid=79db2a728\u0026amp;_ss=r\"\u003eHead of Roses\u003c\/a\u003e standouts “One More Hour” and “Two”. The songs were recorded live with a full band - which includes members of Mountain Man and Sylvan Esso - at Betty’s in Durham, North Carolina in the Spring of 2021. Wasner recorded the acclaimed Head of Roses at the studio in the summer of 2020, and these performances bring the songs to life in the very space in which they were conceived.\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Digital","offer_id":39319042621536,"sku":"714616","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/flockofdimes-liveatbettys-4000px.jpg?v=1623776150"},{"product_id":"flock-of-dimes_through-me","title":"Through Me","description":"\u003cp\u003e\u003cspan id=\"docs-internal-guid-0c199c65-7fff-571b-1450-f5d1f4308996\"\u003eAdult Swim Singles has shared a new song by Flock of Dimes as the twenty-fifth entry in the 2021 program. “Through Me” arrives in the wake of \u003ca href=\"https:\/\/megamart.subpop.com\/products\/flock-of-dimes_head-of-roses?_pos=1\u0026amp;_sid=137bb0e63\u0026amp;_ss=r\u0026amp;variant=32933882167392\"\u003eHead of Roses\u003c\/a\u003e, singer-songwriter Jenn Wasner’s sophomore LP as Flock of Dimes. The album, widely acclaimed for its visceral songwriting, is a record about heartbreak from a dualistic perspective, following a winding thread of intuition through the unknown and into healing. The new single is an apt and poignant re-engagement with these themes. ​​\"Through Me is about losing sight of yourself in an attempt to find someone else,” states Wasner, “twisting your perception of reality until you’re not sure how to find your way back to what is real.\" \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Digital","offer_id":39378296930400,"sku":"714816","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/flockofdimes-throughme-3200px.jpg?v=1633636774"},{"product_id":"flock-of-dimes_head-of-roses-phantom-limb","title":"Head of Roses: Phantom Limb","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eOn April 15th, 2022, Sub Pop will digitally release Flock of Dimes’ \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHead of Roses: Phantom Limb\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, a collection of unreleased tracks written around the same time as \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHead of Roses\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, previously unheard demos, favorite live performances, and covers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe selection of live recordings here run the spectrum, from solitary to exuberant. Some were made solo, in the summer of 2020, while other tracks are electrified with the energy that comes from a day cooped up making music with your friends. The versions of “Spring in Winter” and “Like So Much Desire,” from Wasner’s 2020 \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike So Much Desire\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e EP, were both recorded alone, on a grand piano in the rural sprawl of Pittsboro, North Carolina at Manifold Studios. The undulating, subdued version of “Hard Way'' was recorded live for a KEXP session while Wasner was holed up in the Californian desert, and the live versions of “Two,” “One More Hour,” and “Price of Blue'' that live on the bonus disc were recorded with the help of Wasner’s friends Mountain Man, Matt McCaughan, Joe Westerlund, Michael Libramento, Alan Good Parker, and Nick Sanborn out at Betty’s in Chapel Hill, North Carolina. There are also covers of two of Wasner’s favorite songwriters — Joan Armatrading’s “The Weakness in Me” and Joni Mitchell’s “Amelia,” the latter featuring contributions from former bandmate Aaron Roche. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmong the second disc of bonus material is a \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHead of Roses \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ebeginning – the acoustic demo of “Lightning,” recorded ages ago in the secondary room at Betty’s, before the song hit its final shape on \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHead of Roses\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. There’s also a handful of previously-unreleased \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHead of Roses \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eouttakes – “Wonder” and “Go with Good,” both written at the same time as the rest of the record, but ultimately left on the cutting room floor. And then there’s a kind of postscript: Wasner wrote and recorded “It Just Goes On” in one afternoon at her friend Stella Mozgawa’s studio, and the version that exists here—guitar, bass, vocals and drums—are those first unedited performances of hers, along with some invaluable production contributions by Ethan Gruska. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHead of Roses\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e was complete by that time, but she knew this brand new song was still connected to that collection —a last word, a sort of epilogue. In that same way, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePhantom Limb \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eserves as a bid adieu, a final reflection on the past two years of Wasner’s songwriting. \u003c\/span\u003e\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Digital","offer_id":39460071637088,"sku":"715096","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/flockofdimes-phantomlimb-3000px.jpg?v=1647900077"},{"product_id":"flock-of-dimes_the-life-you-save","title":"The Life You Save","description":"\u003cp\u003e\u003ci\u003eI did not enter this world afraid\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eAnd I refuse to leave it this way.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eFlock of Dimes – the solo project of multi-instrumentalist and producer Jenn Wasner – releases her third album, \u003cem\u003eThe Life You Save\u003c\/em\u003e, worldwide on October 10th, 2025, on Sub Pop Records.\u003c\/p\u003e\n\u003cp\u003eAcross the last few decades – whether it be as Flock of Dimes, as half of beloved duo Wye Oak, or via one of her many collaborations with Bon Iver, Sylvan Esso, and a sprawling list of other musical juggernauts – Wasner’s extensive catalog displays her gift for balancing authenticity and directness with an unmistakable left-of-center sensibility. Her songwriting has always found her as a keen-eyed observer, a deeply empathetic and thoughtful storyteller with a skill for probing memory, heartbreak, and unhealed trauma, a shroud of syncopation or off-kilter guitar taking a song somewhere quietly prodigious. \u003c\/p\u003e\n\u003cp\u003eHer last solo album, the critically-lauded Head of Roses, took on heartbreak from a dualistic perspective, following a winding thread of intuition into the unknown and into healing. Her new album, The Life You Save, takes that a step further; put simply, it’s the most honest, intimate and personally revealing record of Wasner’s career. As heart-wrenching as they are hopeful, its twelve tracks delve the depths of addiction and codependency, inherited and experienced trauma, and the process of finding peace in the face of others’ suffering. The Life You Save is resonant, unflinchingly exposed – like a missive from the eye of a storm. But while it somehow manages to feel both viscerally raw and vulnerable, above it floats a sense of quiet peace, a sheen of hindsight, or perhaps of acceptance. It is the story of how it feels to be trapped between two worlds—the one you came from, and the one you’ve escaped to; about the belief that somehow, you can take the ones you love with you to this place; about the grief of realizing that the only person you can save is yourself.\u003c\/p\u003e\n\u003cp\u003eThe Life You Save was produced by Jenn Wasner and recorded at Betty’s in Chapel Hill, NC, and Montrose Recording in Los Angeles, CA, and includes the highlights “Long After Midnight,” “Defeat,” “Afraid,” “Keep Me In The Dark,” and “River In My Arms.” The Life You Save also features additional production from Nick Sanborn (tracks 2, 3, 4, 7, 8, 11), is engineered by Adrian Olsen \u0026amp; Alli Rogers, mixed by Adrian Olsen, and mastered by Huntley Miller.\u003c\/p\u003e\n\u003cp\u003eJenn writes on The Life You Save:\u003c\/p\u003e\n\u003cp\u003e“My previous records, generally, have been a summary of things I had already been through— experiences I had observed and reflected upon, reporting back from some amount of distance. But this record is different. It is an attempt to report from inside of a process that is ongoing and unfinished, from which I will likely never fully emerge as long as I am alive: my struggle within the cycles of addiction and co-dependency. \u003c\/p\u003e\n\u003cp\u003e“I set out trying to make a record about \u003ci\u003eother \u003c\/i\u003epeople.\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003eTheir\u003c\/i\u003e problems, \u003ci\u003etheir\u003c\/i\u003e struggles, \u003ci\u003etheir\u003c\/i\u003e addictions.\u003c\/p\u003e\n\u003cp\u003e“I struggled for many years to give myself permission to write about this subject–worried that I was telling someone else’s story, a story that was not mine to tell. The work felt hazy and obscured; I was confused, and I struggled. The beauty of songwriting, at its best, is that it puts you in touch with your subconscious–a place where you can only tell the truth. Many of those truths were hard to accept.  Some I don’t, even now, feel fully ready to say. But through this process, I came to understand that I was struggling with this record because I wasn’t being honest with myself. I was so deeply entrenched in the system in which I was raised that I thought I was outside of it, and the ways in which I continued to participate remained invisible to me.\u003c\/p\u003e\n\u003cp\u003e“But slowly, painstakingly, through this work I began to realize—I am not apart from all of this. I have been performing my role from a distance, but I am still engaged, still connected: \u003c\/p\u003e\n\u003cp\u003e“I’m inside it, after all. \u003c\/p\u003e\n\u003cp\u003e“As it turns out, this record is not someone else’s story–it is mine, the story of my life. A life spent believing I had escaped, and that I deserved to feel guilty for doing so. A life in which I believed that the right combination of words, actions, effort, and expense could somehow change others’ behavior. And a life in which blindness to my own patterns caused me to hurt others, and prevented me from finding the true love and acceptance I yearned for. \u003c\/p\u003e\n\u003cp\u003e“The belief that you can rescue others comes from more than one place, internally speaking. The part that is easiest to see and acknowledge is the one that stems from love, good intentions, and a genuine desire to offer care and support. But there’s an uglier side, and that part is harder to look at—the ego, the pridefulness, the belief that you are better, stronger, somehow more deserving than all the rest. That through your attempts to control others’ behavior, you can somehow secure a sense of safety for yourself. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“I know the rules, but I ignore them, \u003c\/i\u003e\u003cbr\u003e\u003ci\u003eI think I’m good enough to pull this off. \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“Or, more simply: \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“I think I’m god; I know I’m not. \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e“For me, that was the puzzle piece that finally made it all make sense. But it was also the piece that was the hardest to hold. It took a long time for me to build up enough love—not for others, but for myself—that acknowledging this truth would not break me. I understand now that I’m not the savior, not the hero, not the chosen one. I’m spinning in my own wheel, a bundle of addictions and adaptations and blind spots, just like everybody else. And there is a beauty to that, along with a kind of freedom. \u003c\/p\u003e\n\u003cp\u003eIn the end, it is my hope that this record exists as a testament to the depth of my love for those I cannot save, and that it might provide some comfort for anyone who is still learning how to love and live for themselves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlock of Dimes\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eThe Life You Save \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eProduction Credits\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Jenn Wasner\u003cbr\u003e\u003cbr\u003e\"Defeat\" produced by Jenn Wasner and Nick Sanborn\u003cbr\u003e\u003cbr\u003eAdditional production on “Keep Me in the Dark,” “Long After Midnight,” “Close to Home,” “Not Yet Free,” “Pride,” and “River in My Arms” by Nick Sanborn\u003c\/p\u003e\n\u003cp\u003eEngineered by Adrian Olsen \u0026amp; Alli Rogers\u003c\/p\u003e\n\u003cp\u003eMixed by Adrian Olsen\u003c\/p\u003e\n\u003cp\u003eMastered by Huntley Miller\u003c\/p\u003e\n\u003cp\u003eRecorded at Betty’s in Chapel Hill, NC and Montrose Recording in Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePlayers\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eJenn Wasner - vocals, acoustic and electric guitars, bass, \u003c\/p\u003e\n\u003cp\u003esynthesizers, electronics \u003c\/p\u003e\n\u003cp\u003eAlan Good Parker - electric bass, acoustic, electric and tenor guitars, pedal and lap steel, mandolin, cello\u003c\/p\u003e\n\u003cp\u003eJacob Ungerleider - piano, synthesizers, pump organ, tenor guitar \u003c\/p\u003e\n\u003cp\u003eMatt McCaughan- drums and electronics\u003c\/p\u003e\n\u003cp\u003eTJ Maiani - drums\u003c\/p\u003e\n\u003cp\u003eNick Sanborn - synthesizer and modular processing \u003c\/p\u003e\n\u003cp\u003eAdam Schatz - saxophone and electronics\u003c\/p\u003e\n\u003cp\u003eMeg Duffy - acoustic guitar and sustainer guitar \u003c\/p\u003e\n\u003cp\u003eAdrian Olsen - modular processing \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCaroline Shaw - violin\u003c\/span\u003e\u003c\/p\u003e","brand":"Flock of Dimes","offers":[{"title":"Loser (color) 2xLP","offer_id":42153504374880,"sku":"715950","price":28.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":42153504342112,"sku":"715952","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":42153504309344,"sku":"715956","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/FlockOfDimes_TheLifeYouSave_Mockup_US_LP_2000x1417_f4e815dd-ca80-446a-bbf5-3d29b3afcc47.jpg?v=1753242613"}],"url":"https:\/\/megamart.subpop.com\/collections\/flock-of-dimes\/format-loser-color-lp.oembed","provider":"Sub Pop Mega Mart","version":"1.0","type":"link"}