{"title":"Recent Restocks","description":"","products":[{"product_id":"sleater-kinney_dig-me-out","title":"Dig Me Out","description":"\u003cp\u003eSleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band's core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eDig Me Out\u003c\/i\u003e is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January \u003cspan\u003e1997 at John and Stu's Place in Seattle, Washington. \u003ci\u003eDig Me Out\u003c\/i\u003e marked \u003c\/span\u003ethe debut of Janet Weiss, who became the band's longest-serving and last drummer. \u003cspan\u003e\u003ci\u003eDig Me Out\u003c\/i\u003e made several publications' best album lists. The album \u003c\/span\u003eappeared at #4 in The Village Voice's “Pazz \u0026amp; Jop” critics' poll for 1997. In 2001, Spin placed it at #19 on its list of \"50 Most Essential Punk Records\". In 2003, the album was ranked #272 on Rolling Stone's list of “The 500 Greatest Albums of All Time.” In 2005, the album was ranked #24 in Spin's \"100 Greatest Albums, 1985–2005\". In 2012, Spin also ranked it at #74 on their \"125 Best Albums of the Past 25 Years\". In 2008, the song \"Dig Me Out\" was ranked #44 in Rolling Stone's \"100 Greatest Guitar Songs of All Time\".\u003c\/p\u003e\u003cp\u003e\"Now [delivers] the punch their words describe...If [Sleater-Kinney] \u003cspan\u003ewanna be our Simone de Beauvoir, \u003ci\u003eDig Me Out\u003c\/i\u003e proves they're up to it.\" \u003c\/span\u003e[9\/10] - Ann Powers, SPIN\u003c\/p\u003e\u003cp\u003eThe album has been freshly remastered by Greg Calbi for this release. This reissue coincides with Sub Pop’s October 21st, 2014 release of remastered versions of Sleater-Kinney’s six other albums, as well as a limited-edition, deluxe vinyl box set featuring all seven albums. \u003c\/p\u003e\u003cp\u003eThe digital versions of these reissues come out via Sub Pop on September 2nd, 2014.\u003c\/p\u003e","brand":"Sleater-Kinney","offers":[{"title":"LP","offer_id":31826162712672,"sku":"711051","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826162745440,"sku":"711052","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":40681583935584,"sku":"711054","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556515393632,"sku":"711056","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/SleaterKinney_DigMeOut_LP_MockUp.jpg?v=1774462472"},{"product_id":"beach-house_teen-dream","title":"Teen Dream","description":"\u003cp\u003eRecorded in upstate New York, in a converted church called Dreamland with producer\/engineer Chris Coady (who has worked with TV on the Radio, Yeah Yeah Yeahs, Blonde Redhead, and a bunch of others) \u003ccite\u003e\u003ci\u003eTeen Dream\u003c\/i\u003e\u003c\/cite\u003e is the third album from the Baltimore-based duo \u003ca title=\"Link: http:\/\/www.subpop.com\/artists\/beach_house\/\" href=\"http:\/\/www.subpop.com\/artists\/beach_house\/\"\u003eBeach House\u003c\/a\u003e, and their Sub Pop debut. The album gives voice to a full universe of unbridled imagination, and the manifestation of \u003ccite\u003eTeen Dream\u003c\/cite\u003e has been a welcomed and all-consuming obsession for the band. \u003cbr\u003e\u003c\/p\u003e","brand":"Beach House","offers":[{"title":"2xLP","offer_id":31826173493344,"sku":"708451","price":28.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826173526112,"sku":"708452","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826173558880,"sku":"708454","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556523094112,"sku":"708456","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/BeachHouse_TeenDream_LP_Black_2022_01.jpg?v=1652396431"},{"product_id":"beach-house_depression-cherry","title":"Depression Cherry","description":"\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003eThe current version of Depression Cherry, on both CD and LP, comes housed in a chrome-red cardboard jacket, with holographic foil-stamped lettering, and a flood of black ink inside the jacket.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBeach House is Victoria Legrand and Alex Scally. We have been a band for over a decade living and working in Baltimore, MD. \u003ci\u003eDepression Cherry\u003c\/i\u003e is our 5th full-length record and was recorded at Studio in the Country in Bogalusa, Louisiana from November ’14 through January ’15. This time period crossed the anniversaries of both John Lennon’s and Roy Orbison’s death.  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn general, this record shows a return to simplicity, with songs structured around a melody and a few instruments, with live drums playing a far lesser role. With the growing success of \u003ci\u003eTeen Dream\u003c\/i\u003e and \u003ci\u003eBloom\u003c\/i\u003e, the larger stages and bigger rooms naturally drove us towards a louder, more aggressive place; a place farther from our natural tendencies. Here, we continue to let ourselves evolve while fully ignoring the commercial context in which we exist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHere are a few quotes that we feel relate to the feeling and themes of this record:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e— \"I’ll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven’t a choice. I go. One caravan has stopped, another starts up. There are people I have yet to meet, others I’ll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes.” - \u003cspan\u003efrom \u003ci\u003eKitchen\u003c\/i\u003e by Banana Yoshimoto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e— “We inhabit a world in which the future promises endless possibilities and the past lies irretrievably behind us. The arrow of time… is the medium of creativity in terms of which life can be understood.” - from \u003ci\u003eThe Arrow of Time\u003c\/i\u003e by Peter Coveney and Roger Highfield \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e— “Mostly it is loss which teaches us about the worth of things.” - from \u003ci\u003eParerga and Paralipomena \u003c\/i\u003eby Arthur Schopenhauer\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e— \"Hark, now hear the sailors cry, feel the air and see the sky, let your soul and spirit fly, into the mystic……\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e….when the fog horn blows, i want to hear it, i don’t have to fear it” - from “Into the Mystic” by Van Morrison\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHere is the track listing with selected lyrics.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Levitation – “The branches of the trees, they will hang lower now, you will grow too quick, then you will get over it”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. Sparks - “It’s a gift, taken from the lips, you live again”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. Space Song - “What makes this fragile world go ‘round, were you ever lost, was she ever found?”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. Beyond Love - “They take the simple things inside you and put nightmares in your hands”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5. 10:37 - “ Here she comes, all parts of everything, stars in the motherhand”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6. PPP - “Did you see it coming, it happened so fast, the timing was perfect, water on glass…”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7. Wildflower - “ What’s left you make something of it\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8. Bluebird - “I would not ever try to capture you\"\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9. Days of Candy - “I know it comes too soon, the universe is riding off with you…... i want to know you there, the universe is riding off with you.\" \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFor us, \u003ci\u003eDepression Cherry\u003c\/i\u003e is a color, a place, a feeling, an energy… that describes the place you arrive as you move through the endlessly varied trips of existence…\u003c\/span\u003e\u003c\/p\u003e","brand":"Beach House","offers":[{"title":"Black LP","offer_id":31826212618336,"sku":"711221","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826212651104,"sku":"711222","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826212683872,"sku":"711224","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556510052448,"sku":"711226","price":10.0,"currency_code":"USD","in_stock":true},{"title":"White LP","offer_id":32837720375392,"sku":"711223","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/BeachHouse_DepressionCherry_LPRepack_MockUp-jk.jpg?v=1712271638"},{"product_id":"beach-house_7","title":"7","description":"\u003cp\u003e\u003ci\u003e*\u003cb\u003eLoser edition vinyl is SOLD OUT! (5\/11\/18 7:10 pm PST)\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e7\u003c\/i\u003e is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. \u003c\/p\u003e\u003cp\u003eLast year, we released an album of b-sides and rarities. It felt like a good step for us. It helped us clean the creative closet, put the past to bed, and start anew. \u003c\/p\u003e\u003cp\u003eThroughout the process of recording \u003ci\u003e7\u003c\/i\u003e, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On \u003ci\u003e7\u003c\/i\u003e, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.\u003c\/p\u003e\u003cp\u003eIn the past, the economics of recording have dictated that we write for a year, go to the studio, and record the entire record as quickly as possible. We have always hated this because by the time the recording happens, a certain excitement about older songs has often been lost. This time, we built a \"home\" studio, and began all of the songs there.  Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there. This way, the amount of time between the original idea and the finished song was pretty short (of the album’s 11 songs, 8\rwere finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los\rAngeles).\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e7\u003c\/i\u003e didn’t have a producer in the traditional sense. We much\rpreferred this, as it felt like the ideas drove the creativity, not any one\rperson’s process. James Barone, who became our live drummer in 2016, played on\rthe entire record. His tastes and the trust we have in him really helped us\rkeep rhythm at the center of a lot of these songs. We also worked with Sonic\rBoom (Peter Kember). Peter became a great force on this record, in the shedding\rof conventions and in helping to keep the songs alive, fresh and protected from\rthe destructive forces of recording studio over-production\/over-perfection.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eThe societal insanity of 2016-17 was also deeply influential, as\rit must be for most artists these days. Looking back, there is quite a bit of\rchaos happening in these songs, and a pervasive dark field that we had\rlittle control over. The discussions surrounding women’s issues were a constant\rsource of inspiration and questioning. The energy, lyrics and moods of much of\rthis record grew from ruminations on the roles, pressures and conditions that\rour society places on women, past and present. The twisted double edge of\rglamour, with its perils and perfect moments, was an endless source (see\r“L’Inconnue,” “Drunk in LA,” “Woo,” “Girl Of The Year,” “Last Ride”).\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eIn a more general sense, we are interested by the human mind's\r(and nature’s) tendency to create forces equal and opposite to those present.\rThematically, this record often deals with the beauty that arises in dealing\rwith darkness; the empathy and love that grows from collective trauma; the\rplace one reaches when they accept rather than deny (see “Dark Spring,” “Pay No\rMind,” “Lemon Glow,” “Dive,” “Black Car,” “Lose Your Smile”).\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eThe title, \u003ci\u003e7\u003c\/i\u003e, itself is simply a number that\rrepresents our seventh record. We hoped its simplicity would encourage people\rto look inside. No title using words that we could find felt like an\rappropriate summation of the album.\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eThe number 7 does represent some interesting connections\rin numerology. 1 and 7 have always shared a common look, so \u003ci\u003e7\u003c\/i\u003e feels\rlike the perfect step in the sequence to act as a restart or\r“semi-first.”  Most early religions also had a fascination with 7 as\rbeing the highest level of spirituality, as in \"Seventh Heaven.”  At\rour best creative moments, we felt we were channeling some kind of heavy truth,\rand we sincerely hope the listeners will feel that. \u003c\/p\u003e\u003cp\u003eMuch Love,\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBeach House\u003c\/p\u003e","brand":"Beach House","offers":[{"title":"LP","offer_id":31826214518880,"sku":"712401","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826214551648,"sku":"712402","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826214584416,"sku":"712404","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556508479584,"sku":"712406","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/beachhouse-7-lp-black-square.jpg?v=1754410652"},{"product_id":"the-postal-service_give-up","title":"Give Up","description":"\u003cp\u003eThe Postal Service is a long-distance collaboration between Ben Gibbard (singer\/guitarist from Death Cab for Cutie) and Jimmy Tamborello (Jimmy recorded the \u003ca title=\"Link: http:\/\/www.subpop.com\/artists\/beachwood_sparks\" href=\"http:\/\/www.subpop.com\/artists\/beachwood_sparks\"\u003eBeachwood Sparks\u003c\/a\u003e album \u003ca href=\"http:\/\/www.subpop.com\/releases\/beachwood_sparks\/full_lengths\/make_the_cowboy_robots_cry\"\u003e\u003ccite\u003eMake the Cowboy Robots Cry\u003c\/cite\u003e\u003c\/a\u003e and also records under the name \u003ca title=\"Link: http:\/\/www.subpop.com\/artists\/dntel\/\" href=\"http:\/\/www.subpop.com\/artists\/dntel\/\"\u003eDntel\u003c\/a\u003e). Ben and Jimmy sent music back and forth, between California and Washington, each adding new elements until the record was complete. The result is a sweetly charming, largely electronic album with a warmth not typically associated with the clicks-and-beeps set. As an added bonus, additional vocals on the record are provided by Jen Wood and Rilo Kiley’s Jenny Lewis.\u003cbr\u003e\u003c\/p\u003e","brand":"The Postal Service","offers":[{"title":"Color LP","offer_id":39609913540704,"sku":"705955","price":23.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":31826275106912,"sku":"705951","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826275139680,"sku":"705952","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":31826275172448,"sku":"705954","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556522405984,"sku":"705956","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/postalservice-blackvinyl.jpg?v=1741202204"},{"product_id":"orville-peck_pony","title":"Pony","description":"Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American country music, outlaw cowboy, Orville Peck croons about love and loss from the badlands of North America. The resulting sound is entirely his own. He takes the listener down desert highways, through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eOrville’s debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads and sometimes near frantic buzzsaw tunes - all the while paying homage to his country music roots.\u003c\/p\u003e\u003cp\u003ePony’s lead single “Dead of Night” is a torch song about two hustlers traveling through Nevada desert. Their whirlwind romance takes us on a dusty trail of memories - racing down canyon highways, hitchhiking through casino towns and ultimately, ending in tragedy. Orville recalls the adventures of his young love, as he watches the boys silently pass him on the strip, haunted by the happy memories of his past.\u003c\/p\u003e\u003cp\u003eOn the campfire lullaby, “Big Sky,” Orville sings about his past lovers - an aloof biker, an abusive boxer and an overly protective jailor in the Florida Keys - and the inevitable demise of each one, as he leaves them for the wide open, big sky.\u003c\/p\u003e\u003cp\u003eMeanwhile “Turn To Hate” finds Orville struggling to keep his resentment from building into hatred. A continuous battle between embracing the strength and freedom of being an outsider, and the inevitable struggle of wanting normalcy and familiarity. It encapsulates Orville's dilemma as a cowboy. He sings about having to constantly repair situations in his wake, and fighting with himself over his decision making. To stay or go; to cry or not; whether to leave without saying goodbye in order to soften the blow; All the while wishing someone would tell him that they \"can't stay,\" and to make the decision for him.  \u003c\/p\u003e\u003cp\u003eAnd “Buffalo Run” acts as a warning, a song built around the imagery of stampeding buffalo in the badlands of the Northern Plains. It’s one that begins peacefully enough but soon transcends into a kinetic charge that crescendos as the buffalo are headed off the cliffside.\u003c\/p\u003e\u003cp\u003ePony was produced by Orville Peck, recorded and mixed by Jordan Koop at The Noise Floor on Gabriola Island, British Columbia and mastered by Harris Newman at Grey Market Mastering in Montreal, Quebec.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Orville Peck","offers":[{"title":"Loser (color) LP","offer_id":31826307022944,"sku":"712930","price":23.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":31826307055712,"sku":"712931","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826307088480,"sku":"712932","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826307121248,"sku":"712934","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":31826307186784,"sku":"712936","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/orvillepeck-pony-lp-black-01.jpg?v=1741202189"},{"product_id":"low_ones-and-sixes","title":"Ones and Sixes","description":"\u003cp\u003e“In our 20+ years of writing songs, I’ve learned that no matter how escapist, divergent, or even transcendent the creative process feels, the result is more beholden to what is going on at the moment. It’s hard to admit that one is so influenced by what is in front of us. Doesn’t it come from something magical and far away? No, it comes from here. It comes from now. I’m not going to tell you what this record is about because I have too much respect for that moment when you come to know it for yourself.”\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e— Alan Sparhawk, Low\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003eCo-produced by Low and engineer BJ Burton at Justin Vernon’s April Base Studios in Eau Claire, WI, Ones and Sixes is the new (and, so far, the best) album from the Duluth-based trio of Alan Sparhawk, Mimi Parker and Steve Garrington.\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\u003cdiv\u003eRead a piece by Dee Dee from our own\u003ca title=\"Link: http:\/\/subpop.com\/artists\/dum_dum_girls\" href=\"http:\/\/subpop.com\/artists\/dum_dum_girls\"\u003e Dum Dum Girls\u003c\/a\u003e and \u003ca title=\"Link: http:\/\/megamart.subpop.com\/artists\/kristin_kontrol\" href=\"http:\/\/megamart.subpop.com\/artists\/kristin_kontrol\"\u003eKristin Kontrol\u003c\/a\u003e about Low and the new album \u003ca title=\"Link: http:\/\/subpop.com\/artists\/low\" href=\"http:\/\/subpop.com\/artists\/low\"\u003ehere\u003c\/a\u003e.\u003c\/div\u003e","brand":"Low","offers":[{"title":"2xLP","offer_id":31826337333344,"sku":"711441","price":28.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":31826337366112,"sku":"711442","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826337398880,"sku":"711444","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/low-onesandsixes-lp-black-01.jpg?v=1748974833"},{"product_id":"beach-house_beach-house-bloom-shirt","title":"Beach House Bloom Shirt","description":"\u003cp\u003eBeach House t-shirt featuring artwork from \u003ca href=\"https:\/\/megamart.subpop.com\/products\/beach-house_bloom?_pos=1\u0026amp;_sid=5538d8760\u0026amp;_ss=r\"\u003e\u003ccite\u003eBloom\u003c\/cite\u003e\u003c\/a\u003e. \u003c\/p\u003e","brand":"Beach House","offers":[{"title":"XS","offer_id":32668116385888,"sku":"20845981","price":29.0,"currency_code":"USD","in_stock":true},{"title":"S","offer_id":31826361024608,"sku":"20845982","price":29.0,"currency_code":"USD","in_stock":true},{"title":"M","offer_id":31826361057376,"sku":"20845983","price":29.0,"currency_code":"USD","in_stock":true},{"title":"L","offer_id":31826361090144,"sku":"20845984","price":29.0,"currency_code":"USD","in_stock":true},{"title":"XL","offer_id":31826361122912,"sku":"20845985","price":29.0,"currency_code":"USD","in_stock":true},{"title":"2XL","offer_id":32668116615264,"sku":"20845986","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/BeachHouse_Bloom_TShirt_Black_01.jpg?v=1646419995"},{"product_id":"the-head-and-the-heart_lets-be-still","title":"Let's Be Still","description":"\u003cp\u003eIn 2010, Virginia native Jonathan Russell and California transplant Josiah Johnson formed the core songwriting partnership of The Head and The Heart in their new hometown of Seattle. The band was quickly rounded out with the addition of drummer Tyler Williams, keyboardist Kenny Hensley, vocalist\/violinist Charity Rose Thielen and bassist Chris Zasche. Their \u003ca href=\"http:\/\/www.subpop.com\/releases\/the_head_and_the_heart\/full_lengths\/the_head_and_the_heart\"\u003e2011 debut album\u003c\/a\u003e on Sub Pop became one of the label’s best-selling debut releases to date. In a few short months The Head and The Heart went from playing open mic nights to selling out San Francisco’s Fillmore, Seattle’s Paramount Theatre, New York’s Terminal 5 and more, building a loyal fanbase across the country.\u003c\/p\u003e\n\u003cp\u003eThe new album, \u003ccite\u003eLet’s Be Still\u003c\/cite\u003e, is a snapshot of a band that didn’t exist just four short years ago. The album was recorded at Seattle’s Studio Litho with assistance from prior production collaborator Shawn Simmons. Later, the band traversed the country to mix the album in Bridgeport, CT, with Peter Katis, revered for his work with bands such as the National, Interpol, and the Swell Season.\u003c\/p\u003e","brand":"The Head and the Heart","offers":[{"title":"Gold Vinyl 2xLP","offer_id":42431782387808,"sku":"710605","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Color LP","offer_id":39783585316960,"sku":"710603","price":36.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":31826385207392,"sku":"710601","price":36.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":31826385240160,"sku":"710602","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":39497747988576,"sku":"710604","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556510019680,"sku":"710606","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/098787106053.jpg?v=1765394240"},{"product_id":"iron-and-wine_beast-epic","title":"Beast Epic","description":"\u003cp\u003e\"I must confess that I’ve always shied away from album introductions citing the usual \"dancing to architecture\" cop out. Speaking to their own work is uncomfortable for many artists, but I’ve made a new album called \u003ci\u003eBeast Epic\u003c\/i\u003e which is important to me and I wanted to take a moment to talk about why. I’ve been releasing music for about fifteen years now and I feel very blessed to have put out five other full lengths, many EPs and singles, a few collaborations with people much more talented than myself, and made contributions to numerous movie scores and soundtracks. This is my sixth collection of new Iron \u0026amp; Wine material and I’m happy to say that it’s my fourth for Sub Pop Records.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"It’s a warm and serendipitous time to be reuniting with my Seattle friends because I feel there’s a certain kinship between this new collection of songs and my earliest material, which Sub Pop was kind enough to release.\u003c\/p\u003e\n\u003cp\u003e“I have been and always will be fascinated by the way time asserts itself on our bodies and our hearts. The ferris wheel keeps spinning and we’re constantly approaching, leaving or returning to something totally unexpected or startlingly familiar. The rite of passage is an image I've returned to often because I feel we’re all constantly in some stage of transition.  \u003ci\u003eBeast Epic\u003c\/i\u003e is saturated with this idea but in a different way simply because each time I return to the theme I’ve collected new experiences to draw from. Where the older songs painted a picture of youth moving wide-eyed into adulthood’s violent pleasures and disappointments, this collection speaks to the beauty and pain of growing up after you’ve already grown up. For me, that experience has been more generous in its gifts and darker in its tragedies.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“The sound of \u003ci\u003eBeast Epic\u003c\/i\u003e harks back to previous work, in a way, as well. By employing the old discipline of recording everything live and doing minimal overdubbing, I feel like it wears both its achievements and its imperfections on its sleeve. Over the years, I’ve enjoyed experimenting with different genres, sonics and songwriting styles and all that traveled distance is evident in the feel and the arrangements here, but the muscles seemed to have relaxed and been allowed to effortlessly do what they do best (read full artist statement \u003ca title=\"Link: http:\/\/www.subpop.com\/artists\/iron_and_wine\" href=\"http:\/\/www.subpop.com\/artists\/iron_and_wine\"\u003eover here\u003c\/a\u003e).” \u003c\/p\u003e\n\u003cp\u003e - Sam Beam\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan id=\"docs-internal-guid-2d8ecb33-8499-66b9-f09f-7e4b72b334d8\"\u003e\u003ci\u003eBeast Epic\u003c\/i\u003e was written and produced by Sam Beam. It was recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017, and mastered by Richard Dodd in Nashville, Tennessee. The musicians who played on the album include longtime Iron \u0026amp; Wine collaborators Rob Burger (keys), Joe Adamik (percussion, drums), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Deluxe 2xLP version of \u003ci\u003eBeast Epic \u003c\/i\u003eis on red \u0026amp; blue vinyl with alternate artwork, two bonus tracks from the \u003ci\u003eBeast Epic \u003c\/i\u003erecording sessions and three home-recorded demos, and has an etching on side D. The 5 bonus tracks are also included in the digital download that comes with this deluxe 2xLP edition. The bonus tracks are: 1. Hearts Walk Anywhere; 2. Kicking the Old Rain; 3. About a Bruise (demo); 4. Claim a Ghost (demo); 5. Summer Clouds (demo).\u003c\/p\u003e","brand":"Iron \u0026 Wine","offers":[{"title":"Deluxe","offer_id":31826412470368,"sku":"711703","price":17.4,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":31826412535904,"sku":"711702","price":7.2,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":31826412503136,"sku":"711701","price":23.0,"currency_code":"USD","in_stock":false},{"title":"Cassette","offer_id":31826412568672,"sku":"711704","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556508086368,"sku":"711706","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/ironandwine-beastepic-3000.jpg?v=1581648022"},{"product_id":"sebadoh_bakesale-deluxe-edition","title":"Bakesale: Deluxe Edition","description":"\u003cp\u003eSebadoh’s 1994 album, \u003ccite\u003eBakesale\u003c\/cite\u003e, was the band’s fifth full-length album, arguably their best and certainly their most acclaimed. For this 2011 deluxe reissue the original album has been re-mastered and a full CD of b-sides, EP tracks and rarities, all from the same era as \u003ccite\u003eBakesale\u003c\/cite\u003e, has been added. All of which was overseen by Sebadoh’s Lou Barlow and Jason Loewenstein. The album is also being reissued on LP for the first time in years and will include the bonus material as a digital download.\u003c\/p\u003e","brand":"Sebadoh","offers":[{"title":"Color LP","offer_id":41078582706272,"sku":"709443","price":23.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":31826426888288,"sku":"709441","price":23.0,"currency_code":"USD","in_stock":true},{"title":"2xCD","offer_id":31826426921056,"sku":"709442","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556507725920,"sku":"709446","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/Sebadoh_Bakesale_Anniversary_LP_MockUp.jpg?v=1720411219"},{"product_id":"hot-snakes_suicide-invoice","title":"Suicide Invoice","description":"\u003cp\u003eSan Diego’s influential post-hardcore all-stars \u003ca href=\"http:\/\/www.subpop.com\/artists\/hot_snakes\"\u003eHot Snakes\u003c\/a\u003e – boasting members of Pitchfork, Rocket From the Crypt, Drive Like Jehu, Earthless, \u003ca title=\"Link: http:\/\/www.subpop.com\/artists\/obits\" href=\"http:\/\/www.subpop.com\/artists\/obits\"\u003eObits\u003c\/a\u003e, Burning Brides, OFF!, The Delta 72, and more – released three of our favorite rock records of the past 20 years: \u003ci\u003eAutomatic Midnight, Suicide Invoice, \u003c\/i\u003eand\u003ci\u003e Audit in Progress\u003c\/i\u003e. All three were originally released on Swami Records, with art by singer\/guitarist and visual artist Rick Froberg. And now, finally, they’re ours! As we await the somewhat-later- in-2018 release of their first new album since 2004, please make these Sub Pop reissues yours.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSuicide Invoice\u003c\/i\u003e, their second album, was originally released in 2002. It was recorded at San Diego’s Drag Racist Studios in 2002 with engineer Ben Moore. The album exhibits Hot Snakes’ slightly larger palate in mood and dissonance. People enjoyed the shows and listening to the recorded music, but strain from controversy and fame would reveal cracks in the seemingly impenetrable hide of Hot Snakes. A year after the album’s release, drummer Jason Kourkounis left to focus on other music.\u003c\/p\u003e","brand":"Hot Snakes","offers":[{"title":"LP","offer_id":31826446123104,"sku":"712181","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826446155872,"sku":"712182","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826446188640,"sku":"712184","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556518244448,"sku":"712186","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/hotsnakes-suicideinvoice-3000px.jpg?v=1581648889"},{"product_id":"shannon-and-the-clams_gone-by-the-dawn","title":"Gone by the Dawn","description":"\u003cp\u003e\u003cem\u003eGone by the Dawn\u003c\/em\u003e, the newest Shannon and the Clams album, is \rtheir best work to date. The music is complex, the lyrical content is \remotionally raw and honest, and the production is the strangest it’s \rever been. The album was written as one member was recovering from a \rserious breakup and another was deep in one. The lyrics reflect it, and \rthe entire album is dripping with sadness, pain, and introspection. \u003cem\u003eGone by the Dawn\u003c\/em\u003e was recorded at Tiny Telephone  in San Francisco and produced by Sonny Smith.\u003c\/p\u003e\u003cbr\u003e","brand":"Shannon and the Clams","offers":[{"title":"LP","offer_id":31826458214496,"sku":"730901","price":23.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":31826458247264,"sku":"730902","price":11.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556524961888,"sku":"730906","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/shannonandtheclamscover.jpg?v=1581649202"},{"product_id":"flight-of-the-conchords_i-told-you-i-was-freaky","title":"I Told You I Was Freaky","description":"\u003cp\u003eThere is so much that could be said regarding \u003ca href=\"http:\/\/www.subpop.com\/artists\/flight_of_the_conchords\/\"\u003eFlight of the Conchords\u003c\/a\u003e. How they hail from New Zealand, the island nation with multiple postal services. Or that, after winning a Best Comedy Album Grammy for \u003ca href=\"http:\/\/www.subpop.com\/releases\/flight_of_the_conchords\/eps\/the_distant_future\"\u003e\u003ccite\u003eThe Distant Future\u003c\/cite\u003e\u003c\/a\u003e in 2007, they were nominated for a second Best Comedy Album Grammy in 2008, but were actually relieved not to win again—-because meaningless trophies really do seem important when you only have one, and have to fight over who gets to keep it. And that during the recently-completed second season of their popular \u003cspan class=\"caps\"\u003eHBO\u003c\/span\u003e television series, fans could download new songs immediately after they debuted on-air. Or that this same popular \u003cspan class=\"caps\"\u003eHBO\u003c\/span\u003e television series (conveniently also called Flight of the Conchords) was recently nominated for what-sure-seems-like-a-record-breaking 6 Emmys.\u003c\/p\u003e\n\u003cp\u003eBut all that is mere background, fact-based information that, while, granted, is largely true, impressive, and odd, doesn’t really allow us to serve up the steaming plate of rich, delicious and hopefully irresistibly persuasive description for which we (or our hired writers) are somewhat known in certain circles. And so: While Flight of the Conchords hammered out their reputation from behind the relative safety of acoustic guitars, blithely billed as a “folk comedy” act, nowadays their musical style runs rampant, unchecked. Judging from the range displayed here on \u003ccite\u003eI Told You I Was Freaky\u003c\/cite\u003e, Flight of the Conchords have yet to unearth a genre which can withstand their artistry. Unflinching in their lyrical stance, sophisticated with their arrangements, crafting melodies which always lodge firmly in the frontal lobe: Flight of the Conchords have created 13 best-selling ringtones, humbly masquerading as songs. Their rhymes are fearless, their thesauruses dog-eared. Only cool, confident specimens of manhood such as these could drop three-dollar vocabulary busters like “dungarees” and “pantaloons” while still mesmerizing the ladies with their undulating “Sugalumps.” Vivid imagery? Check: The ardent “Angels” should spur listeners to think twice the next time they consider catching a snowflake on their tongues. Better still, the amorous odyssey of the album’s zenith, “We’re Both in Love with a Sexy Lady,” unfolds before the listener’s very ears in real time; Flight of the Conchords are making history, and You! Are! There!\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003eI Told You I Was Freaky\u003c\/cite\u003e is, among a great many other things, a genre-tripping tour de force and includes three songs from the second series of the show which are otherwise as yet unreleased (“Rambling Through the Avenues of Time,” “Too Many Dicks (On the Dance Floor)” and “You Don’t Have to Be a Prostitute”).\u003c\/p\u003e","brand":"Flight of the Conchords","offers":[{"title":"Color LP","offer_id":39591800832096,"sku":"708005","price":23.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":31826460508256,"sku":"708001","price":23.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":31826460541024,"sku":"708002","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":31826460573792,"sku":"708004","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556521259104,"sku":"708006","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/FOTC_ITYIWF_Mockup_US_LP_2000x1417_7abcda4a-01f4-42b2-85cc-a97fef410ad5.jpg?v=1760390494"},{"product_id":"the-postal-service_give-up-deluxe-edition","title":"Give Up (Deluxe Edition)","description":"\u003cp\u003eYou can spend all the time and money in the world trying to craft the perfect pop-music scenario, but sometimes the stars have to align all by themselves. Even though early on the members of The Postal Service jokingly referred to \u003ca href=\"http:\/\/youtu.be\/0wrsZog8qXg\"\u003eSuch Great Heights\u003c\/a\u003e as “the hit” on their debut album, \u003ccite\u003eGive Up\u003c\/cite\u003e, there’s no way anyone could have predicted the eventual impact made by a mail-order album designed in a pair of West Coast bedrooms.\u003c\/p\u003e\r\u003cp\u003eIt’s been 10 years since the little project that could from Seattelite Ben Gibbard (aka Death Cab For Cutie’s frontman) and Angeleno Jimmy Tamborello (\u003ca href=\"http:\/\/www.subpop.com\/artists\/dntel\/\"\u003eDntel\u003c\/a\u003e, Figurine) emerged from seemingly nowhere and began to burrow into the ears of anyone who came into contact with the band’s infectious electro-pop. To celebrate, Sub Pop is reissuing The Postal Service’s sole album, and including in the multi-disc set 15 bonus tracks, including two brand new songs, “A Tattered Line of String” and “Turn Around.” On top of that, the band is back together: \u003ca href=\"http:\/\/www.subpop.com\/tours\/the_postal_service\"\u003eThe Postal Service will hit the road\u003c\/a\u003e for a long-overdue victory lap, giving most fans their first (and last—seriously, don’t ask) chance to see the group in person.\u003c\/p\u003e\r\u003cp\u003eOf course, the band’s music was more than just electro-pop, and the force with which Jimmy and Ben captured the indie-rock zeitgeist of the early aughts made them more of a phenomenon than just a regular old band. That such artists as Ben Folds, Amanda Palmer, Streetlight Manifesto, and Confide have covered “Such Great Heights” is a testament to both the song’s magical spark and its melodic inclusivity. The band’s sound is such a touchstone that “Postal Service-esque” has become a generally accepted musical adjective. And it goes way beyond Owl City.\u003c\/p\u003e\r\u003cp\u003eWhile it was impossible to anticipate how massive \u003ccite\u003eGive Up\u003c\/cite\u003e would become, it was obvious in 2003 that these guys had made something special. Ten years on it’s amazing to know that so many people have come to agree.\u003c\/p\u003e","brand":"The Postal Service","offers":[{"title":"3xLP","offer_id":31826484625504,"sku":"710451","price":40.0,"currency_code":"USD","in_stock":false},{"title":"2xCD","offer_id":31826484658272,"sku":"710452","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32556522766432,"sku":"710456","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/files\/PostalService_GiveUpDeluxe_Mockup_US_LP_2000x1417_b86b88df-d30b-45ba-b384-7fd1ac32bf45.jpg?v=1755539000"},{"product_id":"sunny-day-real-estate_diary-remastered-and-expanded-edition","title":"Diary (Remastered and Expanded Edition)","description":"This is the remastered and expanded edition of Sunny Day Real Estate’s 1994 debut album Diary. 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Produced by Mickey Petralia (Beck \u003ccite\u003eMidnight Vultures\u003c\/cite\u003e, Ladytron \u003ccite\u003eLight \u0026amp; Magic\u003c\/cite\u003e) in Los Angeles, New York and Wellington, the album features fully fleshed-out and professionally recorded versions of Flight of the Conchords concert \u003cstrong\u003eand\u003c\/strong\u003e television favorites. And its release finally renders pointless all the inexpert fan-made audio transfers (the modern day equivalent of holding a microphone up to the television speaker and shouting at your mom to be quiet), which have bloated hard drives the world over. The songs are heard here in expanded but reverent arrangements. Bret McKenzie and Jemaine Clement’s trademark acoustic guitars lead the blitz, backed by a diverse array of instrumentation and production technique.\u003c\/p\u003e\n\u003cp\u003eAnd, the album sounds legitimate and musically, it’s incredible, but, as Shakespeare said, “Does it funny?” Happily, yes. 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Emerging in the mid-eighties under the wing of The Pastels’s Stephen McRobbie, The Vaselines came to define the sly wit and irresistible pop hooks of the era’s Scottish indie scene. Sub Pop's remastered reintroduction of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Way of The Vaselines\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is an opportunity for those already familiar with the Scottish band's brief career to delve deeper into their body of work, while those new to their music can experience firsthand why so many hold them in such high regard. 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With the unfortunate departure of original Thermals drummer Jordan Hudson in late 2005, Kathy Foster and Hutch Harris (bass and guitar\/vocals, respectively) split up duties on the new record themselves with Foster pulling double shifts as The Thermals’ rhythm section for almost the entire record while Harris sang, performed all the guitar tracks and some of the bass tracks, and the two shared keyboard\/organ duties. With a wider, brighter, and wilder sound than anything The Thermals have done in the past, \u003ci\u003eThe Body, The Blood, The Machine \u003c\/i\u003eadds walls of guitars, organs, and even a few “ballads” (aka slightly pretty songs) to the mix, while still retaining the gritty post-pop-punk sound for which The Thermals are globally famous. The lyrics envision a United States governed by a fascist Christian state, and focus on the need (and means) to escape. While hardly a concept album, there is definitely a story told in the songs: a story about getting the fuck \u003cspan class=\"caps\"\u003eOUT\u003c\/span\u003e while you still can. With the recent addition of local drummer extraordinaire, Lorin Coleman, The Thermals will be touring extensively with the release of \u003ci\u003eThe Body, The Blood, The Machine.\u003c\/i\u003e","brand":"Thermals","offers":[{"title":"LP","offer_id":31826620547168,"sku":"707031","price":23.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":31826620579936,"sku":"707032","price":14.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":32556525715552,"sku":"707036","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/2731.jpg?v=1581652465"},{"product_id":"the-supersuckers_la-mano-cornuda","title":"La Mano Cornuda","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLa Mano Cornuda\u003c\/span\u003e\u003cspan\u003e, further (un)refined the band’s sound into an absolute blast of an album that Eric Davidson (New Bomb Turks) hailed as the band’s “best all-around record” in his garage-punk history \u003c\/span\u003e\u003cspan\u003eWe Never Learn: The Gunk Punk Undergut, 1988-2001\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Supersuckers","offers":[{"title":"Color LP","offer_id":41215339561056,"sku":"702450","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32614971474016,"sku":"702456","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/supersuckers_lmc.jpg?v=1598408911"},{"product_id":"the-supersuckers_the-smoke-of-hell","title":"The Smoke of Hell","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Supersuckers have been blazing their own debris-strewn path since forming in 1988 in Tucson, Arizona, winning over legions of fans with their special blend of hard rock, punk, and country. Their 1992 debut, Smoke of Hell, is a rip-roaring blur, equal parts Ramones, Motorhead, and middle-finger throwing Johnny Cash.\u003c\/p\u003e","brand":"The Supersuckers","offers":[{"title":"Color LP","offer_id":41215365120096,"sku":"701640","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":32614978879584,"sku":"701646","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0110\/1882\/9920\/products\/Supersuckers-The_Smoke_of_Hell.jpg?v=1598409536"},{"product_id":"clipping_visions-of-bodies-being-burned","title":"Visions of Bodies Being Burned","description":"\u003cp\u003eIn the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, “There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate—more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.” Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album \u003ca title=\"Link: https:\/\/megamart.subpop.com\/releases\/clipping\/there_existed_an_addiction_to_blood\" href=\"https:\/\/megamart.subpop.com\/releases\/clipping\/there_existed_an_addiction_to_blood\"\u003eThere Existed an Addiction to Blood\u003c\/a\u003e. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won’t stay dead.\u003c\/p\u003e\u003cp\u003eVisions of Bodies Being Burned is less a sequel than it is the second half of a planned diptych. It turns out, Clipping took to the thematic material of horrorcore like vampires to grave soil. In the years following \u003ca href=\"https:\/\/megamart.subpop.com\/releases\/clipping\/splendor_and_misery\"\u003eSplendor \u0026amp; Misery\u003c\/a\u003e—the band’s acclaimed dystopian science fiction-rap epic—they simply made too many songs for one album. Before the release of There Existed an Addiction to Blood, Clipping and Sub Pop Records divided the material up into two albums, designed to be released only months apart. However, a global pandemic and multiple canceled tours pushed the release of the project’s “part two” until the following Halloween season. \u003c\/p\u003e\u003cp\u003eVisions of Bodies Being Burned contains sixteen more scary stories disguised as rap songs, incorporating as much influence from Ernest Dickerson, Clive Barker, and Shirley Jackson as it does from Three 6 Mafia, Bone Thugs-N-Harmony, and Brotha Lynch Hung. Clipping are never critical of their cultural references. Their angular, shattered interpretations of existing musical styles are always deferential, driven by fandom for the object of study rather than disdain for it. Clipping reimagine horrorcore—the purposely absurdist hip-hop subgenre that flourished in the 1990s—the way Jordan Peele does horror cinema: by twisting beloved tropes to make explicit their own radical politics of monstrosity, fear, and the uncanny.\u003c\/p\u003e\u003cp\u003eThere’s a well-worn adage in film scholarship that says: Every era gets the monster it deserves—meaning during each period of history, different monsters come to embody the specific sociopolitical anxieties of the time: Bela Lugosi’s Dracula and antisemitism, Godzilla and the atom bomb, Invasion of the Body Snatchers and McCarthyism, Anne Rice’s vampires and the AIDS crisis. While these figures are largely reactionary, Clipping intentionally recast their figures of monstrosity through the lens of an antiracist, antipatriarchal, anticolonial politics to address the struggles of our current era. The album’s first single, “Say the Name,” transforms Scarface’s evocative lyric from “Mind Playing Tricks on Me”—“Candlesticks in the dark, visions of bodies being burned”—into a screwed-down Chicago ghetto house loop, mixing together a palette of inspirations from 90s industrial music to a certain mirror-bound, bee-keeping, hook-handed former-slave\/urban legend. The second single, “’96 Neve Campbell” is a tribute to the self-aware “final girl” character of the post-slasher film cycle, featuring Inglewood’s Cam \u0026amp; China, who prove they do more than survive the masked killer—they preemptive-strike his ass.\u003c\/p\u003e\u003cp\u003eThe band also connected with fellow noise-rap pioneers Ho99o9 for the song “Looking Like Meat,” which more closely resembles the full-on sonic assault of Clipping’s first album, Midcity, than any of their music since. Among Clipping’s peers, Ho99o9 reveal themselves to be the perfect collaborators to fit into the album’s thematic world. Eaddy and theOGM deliver the most unhinged, viscerally alarming moment on the entire record.\u003c\/p\u003e\u003cp\u003eEach track pairs a different expression of horror with one of Clipping’s signature metamorphic takes on a hip-hop subgenre. “Eaten Alive” pays tribute to the Tobe Hooper film of the same name, aping the swampy drag of No Limit and their ilk over a jagged jazz-rap instrumental featuring Tortoise guitar genius Jeff Parker, and experimental LA drummer Ted Byrnes. “Enlacing” posits Lovecraftian cosmic terror as the result of a psychedelic drift into nothingness, played as a smeary, cloud rap haze. “Pain Everyday” uses real EVP recordings—said to be the voices of restless spirits—atop a cinematic, Venetian Snares-like breakcore collage, as a call-to-arms for the ghosts of lynching victims to haunt the white descendants of their murderers. And “Check the Lock” is a spiritual sequel to Seagram’s classic track “Sleepin in My Nikes,” describing a drug kingpin’s paranoid descent into madness.\u003c\/p\u003e\u003cp\u003eWhile There Existed an Addiction to Blood ended in an all-cleansing fire, Visions of Bodies Being Burned concludes with the break of dawn in a forest, providing the false hope that those who have survived the horror thus far might just be safe for good. The final track, “Secret Piece,” is a performance of a Yoko Ono text score from 1953 that instructs the players to “Decide on one note that you want to play\/Play it with the following accompaniment: the woods from 5am to 8am in summer,” and features nearly all of the musicians who appeared on both albums.\u003c\/p\u003e\u003cp\u003eSince their last album, Daveed Diggs—the group’s Tony and Grammy Award-winning rapper—has starred in the TNT science fiction series, Snowpiercer, voiced a character in Pixar’s Soul, and portrayed Frederick Douglass in Showtime’s The Good Lord Bird. Writer Rivers Solomon’s novella based on Clipping’s Hugo-nominated song “The Deep” has been nominated for the Nebula, Hugo, and Locus Awards, and won the Lambda Literary Award for best LGBTQ SF\/Fantasy\/Horror novel. Clipping’s song “Chapter 319”—a tribute to George Floyd (AKA Big Floyd) the former DJ-Screw affiliated rapper who was murdered by police officers in May of 2020—was released on Bandcamp on June 19th and raised over $20,000 for racial justice charities. A clip of the song also became a popular meme on TikTok, generating over 50,000 videos in which leftist teenagers rapped the song’s lyrics (“Donald Trump is a white supremacist, full stop…”) directly into the frowning faces of their conservative parents. The band also contributed a Skinny Puppy-esque rework of J-Kwon’s “Tipsy” to Save Stereogum: An ‘00s Covers Comp.\u003c\/p\u003e\u003cp\u003eFor 2020’s Record Store Day, Clipping released Double Live, a collaboration with sound artist Christopher Fleeger. All the audio was recorded during Clipping’s 2017 tour opening for the Flaming Lips, but the microphones weren’t pointed at the band. Instead, mics were placed in toilets, taped to ceiling pipes, tied to trees, worn by roadies, hidden all over venues. The results were then synchronized and edited over more than a year. Double Live is perhaps more a musique concrète experiment than a traditional live album. On the Tonight Show, Jimmy Fallon said it sounded “Weird.”\u003c\/p\u003e\u003cp\u003eIn his “Album of the Week” review for Stereogum, Tom Breihan described There Existed an Addiction to Blood as “cold, confrontational music, even when it slaps, which it often does.” Visions of Bodies Being Burned slaps even more often than its predecessor, although perhaps the only club it will do so in will be the burnt-out, radiation-poisoned rave of some science fiction dystopia. Their new album finds Clipping building upon the language of their already-revolutionary music, while still making the trunk rattle on dilapidated hearses and demon-possessed Plymouth Furys. 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She may well have been the greatest blues singer in punk rock history, the woman who married the 78 and the ’78. Tragedy did not make this true. Mia Zapata made this true, and the ferocious, spring-loaded shrapnel frame that was built around her by Andy Kessler (guitar: metronomic and furious), Matt Dresdner (bass: fluid, punching, beat-addicted and melodic), and Steve Moriarty (drums: martial and explosive) - who, with Mia, combined to form The Gits - made it true. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Gits were formed at Antioch College in Yellow Springs, Ohio in mid-1986, grabbing and swapping pieces of art, thrash, noise, punk rock, classic rock, and all the sorts of magical silly and bookish jingle bells that an old-school liberal arts education handed you; for the next few years they worked on turning it all into something tough, sensitive, both brutal and kind. Andy, Matt, Mia, and Steve moved to Seattle in middish 1989, landing in a house on Capitol Hill where they (and fellow travelers) wood-shedded and rehearsed for the next few years. The Gits put out three EPs in 1990 and ’91 before signing with C\/Z Records and releasing their first full-length album, \u003c\/span\u003e\u003cspan\u003eFrenching the Bully\u003c\/span\u003e\u003cspan\u003e. Seattle quickly claimed the quartet as their own and embraced the Gits blend of ferocious fangs and soft heart, the slug\/slap of the guitars, and the gorgeous, soft underbelly of the poetic emotions. These qualities not only fit in with the doe-eyed\/sharp-clawed grunge ethos but earned the Gits the respect of their peers, including Nirvana, who tapped them to open a major local show in 1990. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThen other stuff happened, and their frantic, confessional barbed-heart snowball began rolling up hill very, very fast; the Gits “quickly” (hah! After half a decade learning to implode and explode hearts and stomping their boots on manifold beer-softened, Marlboro-weeded wood stages!) inspired rapture, awe, and the levitation that happened when peak emotion meets peak grindage in front of amps spitting out something that sounded like the mad marriage of Bolan swagger and Dischord tension… all fronted by a genuinely incomparable woman who held her heart in her mouth and shared it, in all its celebration and fear,  without hesitation. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Gits were an angry, inflamed slinky fully in tune with and tuned by the Bessie Patti Smith of her time, truly the only singer who could summon Joplin, Poly Styrene, Sam Cooke, Iggy Pop and Ian MacKaye  all in the same goddamn song.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 1993, less than four weeks after accepting an offer from Atlantic Records, Mia died. I leave it at that, because this is not about death; it’s about an extraordinary life. 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