Sub Pop Mega Mart

Type:
Album
Release Date:
November 13, 2020
Catalog No:
SP1399
Label:
Sub Pop
Pre-order Streaming
Includes Downloads

This is a pre-order item.

PRE-ORDER DETAILS

  • Tickets are for a NoonChorus performance on Friday, November 13th at 6pm PST / 9pm EST. A viewing code will be sent to you from Noonchorus (help@noonchorus.com) with seven days to go to the show, and emailed again with a reminder on the day of the show. If you haven’t received your code in the 48 hours before the show, please contact help@noonchorus.com. The tickets and bundles will only be available here until Friday 6th November, after which tickets for the livestream will exclusively be available from noonchorus.com.
  • All LP orders are pressed on a limited edition navy blue/purple colored vinyl, imported from Europe! 
  • Customers will be given access to stream the full album up to four (4) weeks before release date from your SubPop.com account, with your pre-order of the album on any format. 
  • All pre-orders will also receive any and all pre-release track downloads in advance of the album release as they are made public, which will be available from your SubPop.com account as they become available.
  • All physical pre-order items should ship out from our warehouse in Seattle, WA between 5-8 days before release date, so long as their are no delays in manufacturing that would delay this advance shipping timeline.
  • International orders may not arrive by release day as extra time must be taken into consideration for distance traveled and customs department clearance.

During the extended stay-at-home order of the last few months, Marika felt that creating a covers record was a way of exploring new sound ideas and expressing herself without having the pressure of the blank page. She recorded and produced Covers between home and her parents’ house, then got the legendary David Wrench (Frank Ocean, The xx, Let’s Eat Grandma) to mix it. David also co-produced her excellent 2019 record Any Human Friend. In contrast to her last two albums (including 2017’s I’m Not Your Man), this collection of songs is more akin in tone and feel to her debut We Slept At Last, with a darker and more introspective sound. On Covers, we hear Marika’s emotive voice set against sparse arrangements of guitars and strings with the occasional synth or scattered drum groove.
 
Breathing new life into the songs she’s chosen, Marika reimagines work by some of the world’s most beloved artists such as Radiohead, Grimes and Elliott Smith. It’s a suitably varied collection, but Marika’s intimate delivery and soft, nuanced and atmospheric touch to production, thread them all together effortlessly.

Marika explains how she came to choose the material: “When it comes to covers, I like to pick songs which I have been listening to obsessively for a while. It gives me a natural understanding of the music, and lets me be more innovative with how I transform it.”
 
First single “Realiti” is a stripped back piano and guitar based version of the Grimes classic from her most celebrated album Art Angels. Marika’s take is a total reinvention and yet it feels wholly her own. Muna’s “Pink Light” from their 2019 record Saves The World is a slice of dark pop, reminiscent of The Cure. In Marika’s hands, it’s a remarkably seamless switch-up to convert these into slower, brooding soft jams.
 
Marika’s version of Air’s “Playground Love” is one of the highlights, taken from the soundtrack the group composed for Sofia Coppola’s coming of age The Virgin Suicides, the result being a moodier, disorientating reworking of a classic modern moment.
 
Final track “All Night” sees Marika tackling one of the standouts from Beyonce’s Grammy-nominated Lemonade. Again, Marika flips the song on its head. Joined by a choir of stacked vocal harmonies, Marika’s voice transcends to conjure a deep emotional resonance.
 
Adventurous and versatile, Covers continues Marika’s lineage in turning each body of work into a new take and perspective on her creative vision. She twists and turns, always surprises, and is never afraid to wear her heart on her sleeve. It remains anyone’s guess to imagine where she will head next.

This is a pre-order item.

PRE-ORDER DETAILS

  • Tickets are for a NoonChorus performance on Friday, November 13th at 6pm PST / 9pm EST. A viewing code will be sent to you from Noonchorus (help@noonchorus.com) with seven days to go to the show, and emailed again with a reminder on the day of the show. If you haven’t received your code in the 48 hours before the show, please contact help@noonchorus.com. The tickets and bundles will only be available here until Friday 6th November, after which tickets for the livestream will exclusively be available from noonchorus.com.
  • All LP orders are pressed on a limited edition navy blue/purple colored vinyl, imported from Europe! 
  • Customers will be given access to stream the full album up to four (4) weeks before release date from your SubPop.com account, with your pre-order of the album on any format. 
  • All pre-orders will also receive any and all pre-release track downloads in advance of the album release as they are made public, which will be available from your SubPop.com account as they become available.
  • All physical pre-order items should ship out from our warehouse in Seattle, WA between 5-8 days before release date, so long as their are no delays in manufacturing that would delay this advance shipping timeline.
  • International orders may not arrive by release day as extra time must be taken into consideration for distance traveled and customs department clearance.

During the extended stay-at-home order of the last few months, Marika felt that creating a covers record was a way of exploring new sound ideas and expressing herself without having the pressure of the blank page. She recorded and produced Covers between home and her parents’ house, then got the legendary David Wrench (Frank Ocean, The xx, Let’s Eat Grandma) to mix it. David also co-produced her excellent 2019 record Any Human Friend. In contrast to her last two albums (including 2017’s I’m Not Your Man), this collection of songs is more akin in tone and feel to her debut We Slept At Last, with a darker and more introspective sound. On Covers, we hear Marika’s emotive voice set against sparse arrangements of guitars and strings with the occasional synth or scattered drum groove.
 
Breathing new life into the songs she’s chosen, Marika reimagines work by some of the world’s most beloved artists such as Radiohead, Grimes and Elliott Smith. It’s a suitably varied collection, but Marika’s intimate delivery and soft, nuanced and atmospheric touch to production, thread them all together effortlessly.

Marika explains how she came to choose the material: “When it comes to covers, I like to pick songs which I have been listening to obsessively for a while. It gives me a natural understanding of the music, and lets me be more innovative with how I transform it.”
 
First single “Realiti” is a stripped back piano and guitar based version of the Grimes classic from her most celebrated album Art Angels. Marika’s take is a total reinvention and yet it feels wholly her own. Muna’s “Pink Light” from their 2019 record Saves The World is a slice of dark pop, reminiscent of The Cure. In Marika’s hands, it’s a remarkably seamless switch-up to convert these into slower, brooding soft jams.
 
Marika’s version of Air’s “Playground Love” is one of the highlights, taken from the soundtrack the group composed for Sofia Coppola’s coming of age The Virgin Suicides, the result being a moodier, disorientating reworking of a classic modern moment.
 
Final track “All Night” sees Marika tackling one of the standouts from Beyonce’s Grammy-nominated Lemonade. Again, Marika flips the song on its head. Joined by a choir of stacked vocal harmonies, Marika’s voice transcends to conjure a deep emotional resonance.
 
Adventurous and versatile, Covers continues Marika’s lineage in turning each body of work into a new take and perspective on her creative vision. She twists and turns, always surprises, and is never afraid to wear her heart on her sleeve. It remains anyone’s guess to imagine where she will head next.


Tracks

  1. You Never Wash Up After Yourself
  2. Phantom Limb
  3. Playground Love
  4. RealitiRealiti
  5. Jupiter 4
  6. Pink Light
  7. Between The Bars
  8. Temporary Loan
  9. In Undertow
  10. All Night

Videos